Today to Rome to meet my friends and talk to aspiring writers like me "work" (God as it sounds good!)
I would post a little story, but I do not have the time, so I sputtano and placed my first screenplay and, intellectual honesty, the place without corrections Lorenzo Bartoli, otherwise it was too easy.
Again, is my first script, I did not know a damn thing! not be bad, right?
are only five tables ... ah, do not place the subject (which of course is mine), not a synopsis, because I'm in a hurry!
Title: Euterpe
Table 1
1-2-3 on the strip, a small
The sticker is a television screen. To understand it in a corner you can put a written or a TV-type logo: go-tv!
From the screen we see the top half bust of a man in his thirties, at will, is holding a microphone. You smile.
Man.
- Buuuuonaseraaa friends! Today we will talk about John Carducci, the mysterious leader of Arousal, will be with us the critic Tom White ... you Tom!
2 small
More like a TV screen, always the logo in the corner. Little in the middle field, from above, on the one hand we see the critical a piacere, seduto su una poltrona e a fianco il presentatore su uno sgabello. Ambientazione televisiva a piacere.
Critico.
- Grazie Jim…beh, c’è poco da dire: un genio, semplicemente un genio del rock!
Presentatore.
- Mmm…e credi che potrà durare?
3 piccola
Ancora come lo schermo tv, ancora il logo in un angolo. Pp di 3/4 dall’alto del critico. Aria seria di chi sa quello che dice.
Critico.
- Ogni sua idea è innovativa, senza precedenti, stupenda, emozionante: John è GIA’ nella storia!
4-5 un po’ più grande
Interno notte. In campo medio from the stage where he is holding a rock concert. In front of all the singer-guitarist, long, straight hair, blacks, jeans and shirt. At the sides of the bassist and guitarist, as desired. Behind the drummer, to taste. Below, the crowd is awesome, lots of kids who acted as a pit in hell. One could draw the notes here and there.
Did.
- The concert, the moment I love most ... look at them, are owned, and I'm their devil.
6-7-8 on the strip.
6
Exterior, night. From the middle field. John walks down a corridor of hurdles that leads right to his car (sport). The corridor is seen sideways. At the sides of the mob calling for autographs. He walks careless escorted by two bodyguards, to taste.
Did.
- I hate this kind of thing ...
crowd.
- John!
- An autograph!
- Six fantasticoooo!
7
Exterior, night. In the mean field from John's car leaves the reader along a city street.
Did.
... I just want to play, create ...
8
Exterior, night. In long shot we see John's car small in front of the gate of a villa of your dreams. Villa at will, but it must be quite luxurious.
Did.
- trapped in the score ... the demons that haunt my thoughts ...
Table 2
1
Interior, night, the only light is the moonlight that filters through the windows. Detail from a hand unscrews the cap of a bottle of whiskey.
Did.
- ... and, of course, want to drink.
2
detail that comes out from the whiskey bottle and ends up in a shallow, wide glass with ice in it.
Did.
- I do not remember, exactly, when I started ...
3-4
Interior, night. In the mean field from a luxurious lounge. Furniture at will, at the center of a chair ¾ view from behind. In the end, a wall of windows, no curtains, from which we see trees and the moonlight entering (for the whole story full moon is the only one to illuminate the scene). John is sitting in the chair, looks toward the window and see his arm dangling from the side, the hand holding the bottle.
Did.
- ... but now it's part of me, like a slow, friendly cancer. A musician? A drunk? One does not exclude the other.
5
subjective From John we see the detail of the hand holding the bottle, how to read the label.
John off.
- ahh…i fans, i soldi, mille idee che mi frullano per la testa, dimmi un po’, per caso tu c’entri qualcosa?
6
Di quinta, da dietro, lo schienale della poltrona dove è seduto e la faccia di John che sporge di lato per guardare dietro. Ha l’espressione accigliata, è sorpreso per aver sentito una voce da dietro.
Voce fuori campo.
- Credi davvero di trovare la risposta in quella bottiglia?
John.
- ?!?
Tav. 3
1-2 verticale
Figura intera di una donna. Indossa un vestito che si avvita appena sopra il seno lasciando scoperte le spalle e finisce con una gonna corta. Porta scarpe con high heels. He has long hair and blacks, has beautiful facial features but is very undernourished, almost a skeleton. It is impressive.
John off.
- who you are, how did you get?
Donna.
- we were not presented, but we are very close, believe me!
3 pp
from John who looks at the woman with dry air.
John.
- Look, is not air, then go back where you came from, if you wanted an autograph you arrived late.
4
shoulder lean, the fifth woman. In the background John stood up and is now leaning back in his chair, still with the glass in one hand and the bottle of the other. John looks up at the sky as a sign of impatience.
Donna.
- quiet, there's no hurry. I want you to listen carefully, because I have to tell you something about your unbridled inspiration! Do not tell me you're curious!?
John.
- oh Lord, all me!
5 pp
woman's bottom. It is angular, cadaverous, expression and smile of defiance.
Donna.
- my name is Euterpe! They are one of the nine muses, the muse of music to be exact ... a little man like you must have heard about, I guess!
6
detachment. Exterior, night. We see the living room from the outside of the window. The two are always in the position First
John.
- Euterpe? Cute! Listen baby, I have a bottle of good whiskey to drain, why not lift your heels and you walk away?
Table 4
1
detachment. Interior, night. From the fifth with a shot of lightning comes out of his hand Phelps grabbing the throat of John. John is framed from the shoulders up to ¾. He definitely surprised and frightened expression.
Euterpe.
- You ... you did not understand who you do!
John.
- g-ghhh!
2 in medium from Euterpe ¾ complete relief of John from the ground, holding his throat. Should emphasize the fact that a woman so ill put a man can raise. John shakes his legs in the air and shakes it with both hands raised the arm that holds it. The glass and the bottle crashing to the ground, only the bottle breaks.
John.
- GOD! N-you can not leave me ...!
Euterpe.
- small, stupid man ... sound
glass.
- thump!
Noise bottle.
- crash!
3
mean field from above. John is thrown to the ground, falling on its side. We see him in the face. Expression of pain.
John.
- ahh!
Euterpe off.
- you know, I give you fatal ideas that allow you to express yourself through music. The rules are simple: few good ideas to those who are sensitive enough to feel my spirit ...
4
mean field from above. Euterpe fifth, John in the background, sitting on the ground, strip away the woman is frightened.
Euterpe.
- ... But sometimes it happens that people are born gifted, able to establish direct contact with my essence. Think in immoderate amounts from which to draw ideas and insights ...
5
detail from the eye to upset John. Euterpe is reflected in the eye that approaches.
Euterpe off.
- ... what I disfigures the body and spirit, makes me weak, old ...
6 pp
bottom of Euterpe yelling furiously in the direction of the player.
Euterpe.
- LOOK! WATCH How I became because of you!
Table 5
1 pp
hand Euterpe horrible coming out of the fifth. In the background John has now arrived with his back to the window and turns to a feeling that it can no longer continue nell'indietreggiare.
Euterpe.
- beginning to understand it? Have you ever wondered why, from Mozart to Kurt Cobain, all the great musicians are impazziti o morti prematuramente?
John.
- !!!
2
ravvicinata sul volto di John. La mano di Euterpe è sulla testa di John, il quale urla in una smorfia di dolore.
John.
- AAAAAHHHHH!!!
Euterpe.
- è tempo di riprendere ciò che è mio!
3
in campo lungo Euterpe adagia l’inerte John sulla poltrona. Si vedono di profilo, da lontano, non si distinguono bene. La scena è come fuori dal tempo, non c’e sfondo, o tutto nero oppure tutto bianco, a piacere.
4
john è seduto sulla poltrona, è inquadrato dalle ginocchia in su, le braccia riverse in mezzo alle gambe tighten a second bottle of whiskey. The head is almost touching the side of the shoulder, a trickle of drool coming out of the mouth. Has the expression to be stupid, look into the void.
John.
- ghh-g ... dead or mad ... mad ... mad ...
5-6 half-length by ¾ Euterpe that goes into the fifth. Now it is beautiful in the flesh, prosperous and happy smiles, a little 'left. In the second floor lounge as it is with the chair in the center and the moonlight entering.
Euterpe.
- A good composer does not imitate;
* steals *: Igor Stravinsky
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